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NEW QUESTION: 1
Note: This question is part of a series of questions that present the same scenario. Each question in the series
contains a unique solution that might meet the stated goals. Some question sets might have more than one
correct solution, while others might not have a correct solution.
After you answer a question in this section, you will NOT be able to return to it. As a result, these questions
will not appear in the review screen.
You deploy an ASP.NET Core web application to Azure App Services. You are using Azure Event Hubs to
collect the telemetry data for the application.
You need to configure Event Hubs to automatically deliver the telemetry data stream to a persistent data store.
Solution: Configure Event Hubs Capture to deliver data to Azure Blob storage.
Does the solution meet the goal?
A. Yes
B. No
Answer: A
Explanation:
Explanation
Azure Event Hubs Capture enables you to automatically deliver the streaming data in Event Hubs to an Azure
Blob storage or Azure Data Lake Store account of your choice, with the added flexibility of specifying a time
or size interval.
References: https://docs.microsoft.com/en-us/azure/event-hubs/event-hubs-capture-overview
NEW QUESTION: 2
DRAG DROP
Answer:
Explanation:
NEW QUESTION: 3
This passage discusses the work of Abe Kobo, a Japanese novelist of the twentieth century.
Abe Kobo is one of the great writers of postwar Japan. His literature is richer, less predictable, and wider-
ranging than that of his famed contemporaries, Mishima Yukio and Nobel laureate Oe Kenzaburo. It is
infused with the passion and strangeness of his experiences in Manchuria, which was a Japanese colony
on mainland China before World War II.
Abe spent his childhood and much of his youth in Manchuria, and, as a result, the orbit of his work would
be far less controlled by the oppressive gravitational pull of the themes of furusato (hometown) and the
emperor than his contemporaries'.
Abe, like most of the sons of Japanese families living in Manchuria, did return to Japan for schooling. He
entered medical school in Tokyo in 1944 - just in time to forge himself a medical certificate claiming ill
health; this allowed him to avoid fighting in the war that Japan was already losing and return to Manchuria.
When Japan lost the war, however, it also lost its Manchurian colony. The Japanese living there were
attacked by the Soviet Army and various guerrilla bands. They suddenly found themselves refugees,
desperate for food. Many unfit men were abandoned in the Manchurian desert. At this apocalyptic time,
Abe lost his father to cholera.
He returned to mainland Japan once more, where the young were turning to Marxism as a rejection of the
militarism of the war. After a brief, unsuccessful stint at medical school, he became part of a Marxist group
of avant-garde artists. His work at this time was passionate and outspoken on political matters, adopting
black humor as its mode of critique.
During this time, Abe worked in the genres of theater, music, and photography. Eventually, he
mimeographed fifty copies of his first "published" literary work, entitled Anonymous Poems, in 1947. It was
a politically charged set of poems dedicated to the memory of his father and friends who had died in
Manchuria. Shortly thereafter, he published his first novel, For a Signpost at the End of a Road, which
imagined another life for his best friend who had died in the Manchurian desert. Abe was also active in the
Communist Party, organizing literary groups for workingmen.
Unfortunately, most of this radical early work is unknown outside Japan and underappreciated even in
Japan. In early 1962, Abe was dismissed from the Japanese Liberalist Party. Four months later, he
published the work that would blind us to his earlier oeuvre, Woman in the Dunes. It was director
Teshigahara Hiroshi's film adaptation of Woman in the Dunes that brought Abe's work to the international
stage. The movie's fame has wrongly led readers to view the novel as Abe's masterpiece. It would be more
accurate to say that the novel simply marked a turning point in his career, when Abe turned away from the
experimental and heavily political work of his earlier career. Fortunately, he did not then turn to furusato
and the emperor after all, but rather began a somewhat more realistic exploration of his continuing
obsession with homelessness and alienation. Not completely a stranger to his earlier commitment to
Marxism, Abe turned his attention, beginning in the sixties, to the effects on the individual of Japan's
rapidly urbanizing, growth driven, increasingly corporate society.
The author of the passage is most likely a
A. film critic.
B. avant-garde artist.
C. translator.
D. literary critic.
E. novelist.
Answer: D
Explanation:
Explanation/Reference:
Explanation:
The author is most interested in literary works. There is no reason to suspect that the author is an artist or
writer. The tone is critical and scholarly. B is the best answer.