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NEW QUESTION: 1
This passage discusses the work of Abe Kobo, a Japanese novelist of the twentieth century.
Abe Kobo is one of the great writers of postwar Japan. His literature is richer, less predictable, and
wider-ranging than that of his famed contemporaries, Mishima Yukio and Nobel laureate Oe Kenzaburo. It
is infused with the passion and strangeness of his experiences in Manchuria, which was a Japanese
colony on mainland China before World War II.
Abe spent his childhood and much of his youth in Manchuria, and, as a result, the orbit of his work would
be far less controlled by the oppressive gravitational pull of the themes of furusato (hometown) and the
emperor than his contemporaries'.
Abe, like most of the sons of Japanese families living in Manchuria, did return to Japan for schooling. He
entered medical school in Tokyo in 1944--just in time to forge himself a medical certificate claiming ill
health; this allowed him to avoid fighting in the war that Japan was already losing and return to Manchuria.
When Japan lost the war, however, it also lost its Manchurian colony. The Japanese living there were
attacked by the Soviet Army and various guerrilla bands. They suddenly found themselves refugees,
desperate for food. Many unfit men were abandoned in the Manchurian desert. At this apocalyptic time,
Abe lost his father to cholera.
He returned to mainland Japan once more, where the young were turning to Marxism as a rejection of the
militarism of the war. After a brief, unsuccessful stint at medical school, he became part of a Marxist group
of avant-garde artists. His work at this time was passionate and outspoken on political matters, adopting
black humor as its mode of critique.
During this time, Abe worked in the genres of theater, music, and photography. Eventually, he
mimeographed fifty copies of his first "published" literary work, entitled Anonymous Poems, in 1947. It
was a politically charged set of poems dedicated to the memory of his father and friends who had died in
Manchuria. Shortly thereafter, he published his first novel, For a Signpost at the End of a Road, which
imagined another life for his best friend who had died in the Manchurian desert. Abe was also active in the
Communist Party, organizing literary groups for workingmen.
Unfortunately, most of this radical early work is unknown outside Japan and underappreciated even in
Japan. In early 1962, Abe was dismissed from the Japanese Liberalist Party. Four months later, he
published the work that would blind us to his earlier oeuvre, Woman in the Dunes. It was director
Teshigahara Hiroshi's film adaptation of Woman in the Dunes that brought Abe's work to the international
stage. The movie's fame has wrongly led readers to view the novel as Abe's masterpiece. It would be
more accurate to say that the novel simply marked a turning point in his career, when Abe turned away
from the experimental and heavily political work of his earlier career. Fortunately, he did not then turn to
furusato and the emperor after all, but rather began a somewhat more realistic exploration of his
continuing obsession with homelessness and alienation. Not completely a stranger to his earlier
commitment to Marxism, Abe turned his attention, beginning in the sixties, to the effects on the individual
of Japan's rapidly urbanizing, growthdriven, increasingly corporate society.
The word "avant-garde" in this passage could best be replaced by
A. dramatic.
B. novel.
C. profound.
D. realistic.
E. experimental.
Answer: E
Explanation:
This question is a little bit more difficult than some vocabulary questions because you have to look in a
few different places. The third paragraph, where the word appears, tells you that the avant-garde group
was political and that Abe worked in various genres. The fourth paragraph refers to his earlier work, which
was the work in the third paragraph, as "experimental and heavily political." Since one of these words is
an answer choice (A), it is the best answer.
NEW QUESTION: 2
A. New-WorkloadManagementPolicy. New-WorkloadPolicy, and Set-ExchangeServer
B. New-WorkloadPolicy, New-ThrottlingPolicy and Set-ExchangeServer
C. New-WorkloadPolicy, New-ThrottlingPolicy and Set-ThrottlingPolicyAssociation
D. New-WorkloadManagementPolicy. New-ThrottlingPolicy, and Set-ThrottlingPolicyAssociation
Answer: A
NEW QUESTION: 3
次の注釈のうち、リストレポートページに使用するものはどれですか？注：この質問には2つの正解があります。
A. @ Ul.selectionFieldアノテーションを使用して、あいまい検索フィールドを定義します
B. @ UI.Iineitem重要度アノテーションを使用して、フィールドが表示されるデバイスを判別します
C. @ UI非表示アノテーションを使用して、リストレポートに表示されないフィールドを非表示にします
D. @ Search.defaultSearchElementアノテーションを使用して、値ヘルプを使用して入力フィールドを定義します
Answer: A,B
NEW QUESTION: 4
Refer to the exhibit.
Assuming the regions configuration to BR only permits G.729 codec, how many calls are allowed for the BR location?
A. Total of four calls to the BR location. Outgoing calls are not impacted by the location configuration.
B. Total of four calls; two incoming and two outgoing.
C. Total of two calls in either direction.
D. Total of four calls in either direction.
E. Two outgoing calls. Incoming calls are unlimited.
Answer: D
Explanation:
Explanation/Reference:
Explanation:
In performing location bandwidth calculations for purposes of call admission control, Cisco Unified Communications Manager assumes that each G.729 call stream consumes 24 kb/s amount of bandwidth.